September 21, 2009
July 14, 2009
Accordingly, as a way to get back into the weekly new-comics grind, I am trying the exciting world of podcasts! Yes, give me thirty minutes and I’ll give you somnolent commentary on the usual batch of new purchases! This week it’s Wednesday Comics #1, The Unwritten #3, House Of Mystery #15, Superman: World Of New Krypton #5, Green Lantern #43, Batman #688, Green Arrow/Black Canary #22, Booster Gold #22, and The Warlord #4. (Music is by R.E.M.)
Anyway, I’m hoping to have new installments up on weekends (or Fridays if I’m lucky), so keep an eye out!
September 27, 2008
No, really, the goon here actually does belong to a bad mother, who’s thrown her planet into an horrific crisis of overpopulation. So yes, I’m just talkin’ about Mother Juna.
Bahlactus can dig it!
[From "Death Be My Destiny!" in Green Lantern vol. 2 #81, December 1970. Written by Denny O'Neil, pencilled by Neal Adams, inked by Dick Giordano, lettered by John Costanza.]
April 15, 2008
First I want to mention Green Arrow And Black Canary #7 (written by Judd Winick, pencilled by Mike Norton, inked by Wayne Faucher). When I saw that Cliff Chiang would be leaving this title, I announced loudly that he was one of the big reasons I was buying the book. If he went, I might just follow him; and how would you like them apples, DC?
Well, as it happens, new artists Mike Norton and Wayne Faucher do their darndest to replicate Chiang’s endearing thick-lined style, which is nice. It also doesn’t hurt that there’s a touch of Mike Parobeck in their work. So, well done all. As long as Norton and Faucher are on the book, I’ll be getting it.
As for the story, it may not please readers who think that longtime Justice Leaguers shouldn’t comport themselves like they’ve OD’ed on “Alias” reruns; but hey, I liked it. After Ollie, Dinah, and Mia interrogate the guys they captured last issue, it’s off to England for more hijinx in a pub. The story seems to have gotten padded out by at least an issue, but that may be so that Winick can introduce the guy our heroes meet this issue. Anyway, the trail leads back to one of Dinah’s old flames, which should be interesting….
I liked a lot of things about The Last Defenders #2 (script by Joe Casey, breakdowns by Keith Giffen, pencils by Jim Muniz, inks by Cam Smith), but it’s hard to describe why. The book isn’t so much about this weird little group of “Defenders” as it is about the idea of the Defenders, and I suppose the sense that you can’t impose too much organization upon it or it all falls apart. This issue is divided essentially in two: the opening fight scene which picks up from last issue, and the “infiltration” scene which sets up the cliffhanger. Running through the book is a jaunty, smart-aleck attitude where Joe Casey (by his own admission) essentially becomes Giffen’s Justice League scripter, following in the keystrokes of J.M. DeMatteis, Bill Messner-Loebs, and Gerard Jones. It’s that kind of attitude, and it actually ends up propelling the overall plot. Accordingly, the somewhat chunky, Ed McGuinness-y figures Jim Muniz pencils sometimes seem out of place — too macho where they should be more comical — but once we get past an Iron Man whose head seems to be shrinking as we watch, the effect becomes negligible. Revealing the book’s villains as a couple of obscure Jack Kirby creations from the ’70s doesn’t hurt either.
Who wants to bet that Marvel does a “Special Rough Cut!” of Fantastic Four #556 (written by Mark Millar, pencilled by Bryan Hitch, inked by Hitch and Andrew Currie) where the stupid “blizzard” effects are removed? If you’ve seen the issue you know the problem. If not … well, let’s just say there are probably a half-dozen better ways to depict a snowstorm via sequential art, but obviously none of them looked as “realistic” as just putting random white splotches all over the panels. Especially when said panels depict dozens of tiny superheroes attacking a big red-white-and-blue robot. Thanks, Marvel, for making Hitch’s work unreadable. The rest of the book is about like you’d expect; namely, very pleased with itself. I didn’t think FF could test my patience any more than the JMS run did, but maybe I was wrong.
Superman Confidential comes to an end with #14 (written by B. Clay Moore, pencilled by Phil Hester, inked by Ande Parks), the conclusion of the Jimmy Olsen/Toyman story. I liked it well enough. I like Hester and Parks’ work generally, and this issue hit all the right Toyman, Jimmy, and Superman beats. The story itself wasn’t anything special, but it wasn’t egregiously bad either.
It was good to see the regular team of Peter Tomasi (writer) Patrick Gleason (penciller) and Prentis Rollins (inker) back in Green Lantern Corps #23. The Boodikka story was only two issues, but it felt like an eternity. However, we’re now looking at a few months with Mongul, the Sinestro rings, and a garden full of Black Mercy. This issue introduces that arc, with most of it devoted to summoning Guy, Kyle, Dr. Natu, et al. to Oa for their mission to round up the aforesaid yellow rings. I liked it pretty well. Tomasi has a better handle on the dialogue here than he does in Nightwing, by which I mean that he doesn’t seem to be trying as hard to make the characters sound cool. Gleason and Rollins have long since settled into a comfortable groove on this title. The Black Mercy might be getting overexposed of late, but I still have high hopes for this story.
Another Green Lantern shows up in Wonder Woman #19 (written by Gail Simone, pencilled by Bernard Chang, inked by Jon Holdridge), but since he’s unfamiliar to us, Diana spends most of the issue fighting him. It’s a good illustration of the “fighting shows the value of not fighting” philosophy that informs the modern take on Wonder Woman, and it has the added advantage of letting Diana go one-on-one with a Green Lantern. Meanwhile, Etta Candy and a couple of Khunds have their own roles to play in deciding the fate of the planet. The art is good, but I still can’t put my finger on who Chang’s WW looks like. I was also pleasantly surprised at the ending, which I hope has repercussions down the line.
Speaking of repercussions, Booster Gold #8 (written by Geoff Johns and Jeff Katz, pencilled by Dan Jurgens, inked by Norm Rapmund) finds the death-cheating Blue Beetle and Booster Gold teaming up with a motley crew of superheroes to invade Max Lord’s headquarters and maybe try to free Superman from Max’s mental control. Yeah, good luck with that. Johns and Katz’s script is good as usual, and I notice this issue how much more fluid Dan Jurgens’ figures have gotten over the course of this series. It’s another solid issue of a title which might just make DC’s labyrinthine history accessible to (and, more importantly, fun for) the casual reader.
On the other hand, there’s Countdown #3 (written by Paul Dini and Sean McKeever, story consultant Keith Giffen, drawn by Freddie Williams II), a Superman/Darkseid fight involving Dark Mary Marvel, a Kryptonite-powered Jimmy Olsen, and the Atom. There’s 40-odd pages left in this monster storyline, and they’ll pick up on Wednesday with Jimmy Vs. Darkseid. I can’t make that sound any better. Freddie Williams, bless his heart, isn’t quite the right artist for this throwdown either — his characters look just a little too goofy for what’s obviously meant to be serious business. Well, except for the last page, but I think that on some level that’s meant to be serious too … and if so, that’s just sad.
The serious/funny thing is handled much better, of course, in the concluding issue of Groo: Hell On Earth (#4 produced by Sergio Aragones, with help from Mark Evanier, Tom Luth, and Stan Sakai), in which the Sage manages to get everyone lined up so that war is averted and environmental catastrophe is at least mitigated. It’s been a fun little story — somewhat obvious as an allegory, but it’s not like Groo has ever been subtle.
Serenity: Better Days #2 (written by Joss Whedon & Brett Matthews, drawn by Will Conrad) finds the crew imagining what they’ll do when they’re rich, which turns out to be quite entertaining whether presented in single-panel gags or more extended sequences. The art is fine, and Conrad captures the look of the show and its cast well. As was the case last issue, the mechanics of one scene still don’t make sense to me after multiple readings, but again, maybe I am slow. Also, the cliffhanger seems a little confusing. I was entertained, but maybe the book isn’t technically as good as I thought.
Finally, I did buy Batman: Death Mask #1 (by Yoshinori Natsume), the “look! Bat-Manga!” miniseries, because I try to keep an open mind. I don’t read manga, and I don’t watch much anime, mostly because I am too busy with other things to give those media any significant attention. However, I will say that this Batman manga doesn’t seem very innovative either for Batman or for manga. It certainly doesn’t have the energy that a rookie like me might have expected. Instead, it’s a black-and-white Batman story told from right to left. Maybe the speed lines and hyperactivity have been toned down for us entry-level readers? That would be understandable, but unfortunately the story isn’t much to recommend either. The titular death mask kills people, there’s a mysterious woman from Bruce Wayne’s past, and Bruce is having strange dreams. But for the format, it’d be an average arc from Legends Of The Dark Knight. I’ll keep getting the miniseries to see how it turns out, and to support this kind of cross-pollenization, but so far it looks like a missed opportunity.
March 17, 2008
Justice League: The New Frontier Special #1: Very nice all around. I probably didn’t need to see how another Batman/Superman fight would play out, but it’s justified as a “lost chapter” of NF. The Robin/Kid Flash and Wonder Woman/Black Canary stories are cute, the period ephemera is well-done, and the behind-the-scenes look at the DVD adaptation is pure eye candy.
Teen Titans Year One #3: Was a little surprised at the pacing of the overall miniseries, as depicted in this issue; but better earlier than later, I guess. Besides, the story’s new direction looks intriguing. It’s been good so far, so I’m in for the rest.
Supergirl #27: It’s an understatement to say that this book hasn’t been what I expected. If you remember the Steven T. Seagle/Scott McDaniel run on Superman a few years back, it’s kinda like that, except on downers. I’m pretty much buying this book to see if it all makes sense. Plus, I like Drew Johnson and this issue’s guest (fill-in?) artist, Rick Leonardi. S’girl isn’t frustratingly bad like, say, early Hawkgirl or late Gotham Knights. It’s just frustrating.
Countdown To Adventure #7: I read this book for the Adam Strange/Animal Man/Starfire story. I have no idea what’s going on with the Forerunner story.
Nightwing #143: I like the fact that writer Peter Tomasi isn’t afraid to plug Nightwing firmly into the center of DC’s superhero culture. It can get a little precious, and sometimes — not so much in this issue, but certainly in the last one — it distracts from the main plot. This issue was fine, but I bet if it were your first DC comic in a while, you’d be mystified.
Detective Comics #842: Batman must deal with an EVIL! suit of armor that he ended up wearing in the Ra’s Al Ghul storyline from a couple months back. You know Spider-Man’s black costume? Like that, except Batman doesn’t destroy it, it doesn’t make him dance like a poser, and (so far) it hasn’t come to life. I’m not sure why the world needed this story.
Green Lantern #28: The “Lost Lantern’s” trial results in the creation of a Red Lantern. Hal has a Clarice Starling moment with Sinestro. We check in with the demons on Ysmault. The Guardians issue a radical new law. I can see how it all fits together, but I know the dots won’t be connected for about another year.
Countdown #8: Yay, Ray Palmer’s back as the Atom! Yay, Firestorm is back (although whither Martin Stein?)! Yay, Habitat, the Hairies, and the rest of Jack Kirby’s Jimmy Olsen creations! Boo, all the bickering and running around pointlessly.
JLA Classified #54: Will probably read better in the trade. Since this is the last installment of the Titus storyline, the “past” narrative takes up the top half of each page, and the “present” gets the bottom half. Sometimes that trick works, sometimes not. Here, it might’ve been better to split the pages vertically. As for the story, Titus beats the tar out of the League for as long as is dramatically appropriate. The ends on an ecumenical note, which is always nice, but a bit treacly for the Justice League. Overall, though, pretty good.
Batman Confidential #14: Part 2 of a new look at a one-off villain from the ’80s, The Wrath. As a modern-style story with an out-of-date setting, it’s not exactly a nostalgia-fest. However, I give it points for picking a time period other than “Year One.” Otherwise, I’m not sure what the general appeal would be.
The Last Defenders #1: The Defenders are famous as Marvel’s “non-team.” This book goes a step further, taking pains to point out how its characters are nowhere near as cool as the original Defenders. It’s a weird little exercise in obstinance wrapped in a story about white supremacists and big snake-monsters. I’ll probably stick with it.
Fantastic Four #555: Boring. Bryan Hitch and Paul Neary are fine craftsmen, but there’s still no life in an issue which features an illicit tryst, a duplicate Earth, and a giant killer robot. It’s all hat and no cattle.
Superman Confidential #13: Part two of the Toyman/Jimmy Olsen story is okay, and I like Phil Hester and Ande Parks’ art, but it feels a bit padded and lethargic. Probably could have used some pruning.
Star Wars: Rebellion #12: Part two of yet another “infiltrate an Imperial base” story that just kinda sits there. Colin Wilson’s art reminds me of early Howard Chaykin, and his Luke doesn’t look much like Mark Hamill either.
Bat Lash #4: The big apocalyptic issue which sets up the climax. This miniseries has been decent, but it’s hard to reconcile all the blood and death with the happy-go-lucky tone which got me interested in the character. (Lots of cattle, but I thought the hat would be different, in other words.) Maybe Sergio Aragones can do it. We’ll see.
Countdown To Mystery #4: I continue to like the Doctor Fate story as it plays with the (pretty much inevitable) conclusion that has Kent Nelson become the latest Doctor F. This installment includes the most traditional superhero action we’ve seen since early on, but the pieces still haven’t fallen into place. Most origin stories seem to place the origin alongside another threat, in order to give the new hero something to do in the third act. This one is all about the origin process itself, with Inza’s comic-book ventures serving as metacommentary. Makes me miss Steve Gerber that much more. P.S. This book also contains an Eclipso story which is once again threatening to meander.
Booster Gold #7: It’s The OMAC Project, Take Two, as we see how Max Lord took over the world once Booster saved Beetle from an (untimely?) death. (By the way, I’ve just started the second season of “Star Trek Voyager,” and Tom and Harry are reminding me a lot of Beetle and Booster.) More subplots converge alongside more trips into DC’s nostalgia mine, so for me, pretty good.
Superman #674: New artist Renato Guedes brings a nice “bigness” to the proceedings. Outgoing writer Kurt Busiek brings back an old JLA villain (from just before the Detroit days) to threaten Superman. Meanwhile, Supes has problems with Mon-El and the Kents have a new apartment. It’s a full issue which doesn’t feel overstuffed.
Wonder Woman #18: Guest artist Bernard Chang helps Gail Simone send WW into space, in what looks like an oblique sequel to the “Space Pirate” storyline from the early ’90s. Basically, she’s challenged by the Khunds (who act like Klingons) to stop an unstoppable race which threatens Khundia. Also, she gets pre-engaged to Tom Tresser, and Etta Candy shows up too. Chang makes WW look like someone familiar, but I can’t think of who. His art is a lot less porntastic than I feared it would be.
Countdown #7: Yet another parallel world, 90% close to the familiar DC-Earth. Another Tom Derenick-pencilled issue too. I swear, this series would be twice as good if it were half as long.
Green Arrow and Black Canary #6: This issue seemed so indebted to “Alias” (the TV show, not the comic book) that I’m starting to think Connor Hawke is the Michael Vaughn designated-victim figure. Remember when Vaughn drowned at the end of Season One, or when he got shot like Bonnie & Clyde at the beginning of Season Five? My money is therefore on Connor to pull through.
Green Lantern Corps #22: Part two of the Boodikka/Alpha Lantern storyline seems pretty forgettable, although it’ll probably look a lot more important in 2009. Today, though, I’m tempted to think that all the procedural GLC stuff would fit better in this book than in Green Lantern, with the Boodikka story as a backup.
October 13, 2007
Chiang brings that same kind of spirit to this issue. His characters are incredibly expressive (sometimes to the point of exaggeration, as in the Dr. 13 story), but where, as with Black Canary here, the focus is on the shifting moods of a central character, that talent pays dividends. Chiang also has to deal with a good amount of guest-stars, including Batman, Doctor Mid-Nite, and Green Lantern, as well as a number of cameos. There are flashbacks too, and a fight scene, but it’s all organized quite well, and everyone gets their own bit of personality.
Of course, Chiang’s work is based on Winick’s script, which is dialogue-heavy but actually finds room for a third-person omniscient narrator. What’s more, it eschews first-person narrative caption boxes, so we’re not distracted trying to match up thoughts with characters. It still doesn’t explain why Dinah had to kill her attacker, but the arc isn’t over yet. Yes, the issue does have nods to DC’s latest round of Big Events (Amazons Attack, mainly), but the story doesn’t depend on the reader’s familiarity with them. Thanks to the flashbacks, it probably doesn’t depend that heavily on all the wedding-buildup specials either. Overall, a good first issue, and I’ll probably be with the book at least as long as Chiang is.
Next up is Booster Gold #3 (written by Geoff Johns and Jeff Katz, pencilled by Dan Jurgens, inked by Norm Rapmund), wherein Booster goes to the Oooold West (Yee-haw!) to team up with Jonah Hex. Basically, the task here is to save the doctor who’ll deliver Jonathan Kent’s great-grandfather, and thus ensure that Superman’s timeline is secure. Before that, though, the issue advances a subplot involving Booster’s slacker ancestor and a nosy reporter, and there’s an incongruous one-page interlude flashing back to Booster and Blue Beetle III during Infinite Crisis. Also, there’s another cameo by Team 13, which is nice. (Buy Architecture And Mortality!!) The 52 chronology-captions are gone this issue, maybe because we’re in the 19th Century for half of it; but I kind of miss them. The pathos of Booster’s current setup is also absent this issue. Anyway, it’s not bad, and it’s about what you’d expect — a well-produced time-traveling superhero story.
I kinda liked Countdown #29 (written by Paul Dini and Adam Beechen, breakdowns by Keith Giffen, pencilled by Manuel Garcia, inked by Mark McKenna) because it begins with the capture of the Challengers Of Beyond by Lord Havok and the Extremists. That’s the A-story this week. Over in the other plots, the Newsboy Legion has a welcome reunion with Jimmy Olsen, Harley and Holly survive their trip to Themyscira, Mary Marvel goes further into the dark side, and Trickster and Piper enjoy diner food with Double Down, a villain unfamiliar to me. Oh, and the cover-featured Karate Kid gets one page with Brother Eye. Anyway, I liked the issue because it felt cohesive, like a complete unit of storytelling. The Havok/Challs story had its start and (putative) finish in this issue, and the other vignettes did good jobs of advancing their respective storylines. (Good thing, too, because we’re just two weeks from the end of CD‘s first half.) Garcia and McKenna helped a lot, along with Rod Reis on colors, by giving their characters weight and presence.
Superman #668 (written by Kurt Busiek, pencilled by Rick Leonardi, inked by Dan Green) begins “The Third Kryptonian,” which as we all know comes with an asterisk because it doesn’t count Chris Kent, Power Girl, Krypto, or the Kingdom Come Superman (over in JSA). Anyhoodle, it changes out Carlos Pacheco and Jesus Merino for Leonardi and Green, and while the styles may be different (Leonardi is more “cartoony” than Pacheco), Busiek’s sure-footed scripting is a constant. Man, I hope he’s on this title for a long time to come. You’ve probably seen the previews with Chris Kent and Robin, and the whole issue’s like that. Busiek’s concerned with the logistics of making Superman a viable, believable character, but it’s all in the service of a well-told story. “T3K” itself looks pretty straightforward — an intergalactic bad guy wants revenge on Krypton’s legatees — but that’s not a knock. If Leonardi and Green are on the book for the long haul too, that’s all good. Their work is like a cross between Walt Simonson and Scott McDaniel, so I approve heartily.
Leonardi also pencils JLA Classified #44 (written by Justin Gray, inked by Sean Phillips), basically an extended trip through J’Onn J’Onzz’s head via his memories of the Justice League. I like Leonardi and Phillips separately, but here they don’t complement each other, with Phillips’ inks making Leonardi’s pencils look looser. I also got hung up on the continuity issues these kinds of flashbacks create. While that’s addressed somewhat in the context of the story, it’s still a pretty pedestrian “no one trusts the Martian” tale.
As it happens, no one trusts the Amazons after Amazons Attack, so here we are with a fill-in for Wonder Woman #13 (written by J. Torres, pencilled by Julian Lopez, inked by Bit). The main plot involves a protest outside the museum where Wonder Girl’s mom works, but there’s also a scene where Sarge Steel channels Jonah Jameson, and a more supportive encounter with the Justice Society. It’s all pretty familiar. The art is good for the most part, although Lopez seems to want Diana to pose suggestively, giving us a butt-shot to start off page 13 and then a couple of boob-thrusting panels further down the page. Anyway, Gail Simone starts next month.
Fantastic Four #550 (pencilled by Paul Pelletier, inked by Rick Magyar) may be writer Dwayne McDuffie’s last issue, which would be a shame. It certainly feels like a wrap-up, and there’s even a farewell dinner at the end. Everything gets tied in pretty well, although I have to say I had to remind myself that Reed and Sue were studying the aliens featured herein. There was also a lot of technobabble (and eventually mysto-babble) describing the exact threat to creation. Still, a lot of balls to juggle, and no real slips, so McDuffie, Pelletier, and Magyar go out on top — unless this wasn’t their last, in which case I’ll be happy for at least another month.
Finally, I talked a bit about Green Lantern #24 (written by Geoff Johns, pencilled by Ivan Reis, inked by Oclair Albert and Julio Ferreira) over on B@N this week, but I’ll go into more depth here. This is the big Sinestro Corps Vs. Earth issue that sort-of renders the Cyborg Superman Special redundant. By that I mean you don’t need it to tell you the Sinestros are cutting swaths of destruction through the East Coast. Reis brings the same kind of detailed carnage to this issue that he did in Rann-Thanagar War, and thanks to the colors of Moose Baumann, it’s made that much clearer. There are many crowd scenes, including double-page spreads for the Sinestros and the GLs, but none of them look crowded. There are rah-rah moments, which are appropriate given the series of little defeats the GLs have endured so far. It’s a very effective installment of “The Sinestro Corps War,” and it clears the decks for the big blowout which is sure to come next issue.
Not that there aren’t problems. John’s “stay black” line comes out of nowhere, and the way the issue reads, Kyle doesn’t need the painting to get out of Parallax. That also seems a little easier to do this time around, but I suppose it has to do with Parallax’s attention being divided. The notion that Alan Scott might be open to killing the Cyborg Superman is also a little disquieting, more so than the Green Lanterns having the lethal-force playing field leveled.
From what I know about Geoff Johns, though, I will say that it must be big of him, a loyal Michigan State alum, to put a U. of Michigan logo on Guy’s power battery. If the Michigan/Michigan State rivalry is as fierce as, say, Auburn/Alabama or Kentucky/Louisville, that takes guts.
October 7, 2007
52 Aftermath: The Four Horsemen #2
All-Star Batman and Robin The Boy Wonder #7
Astro City: The Dark Age Book Two #4
Countdown to Adventure #2
JLA Classified #43
Justice League of America #13
Wonder Woman Annual #1
Bart Simpson’s Treehouse of Horror #13
Bad news first: the Astro City installment left me somewhat cold, mostly because it had been so long since I’d read the last issue and I just haven’t had the time to get back into the storyline. I could probably say the same about the Wonder Woman Annual, basically a big fight scene followed by a major revision to Diana’s secret identity setup. I want more time to spend with Batman #669, because I’m sure there are details I missed on the first reading. The Four Horsemen issue was pretty good, and All-Star Batman was just as crazy as ever. Finally, except for some weird anatomy, JLA #13 was probably the week’s most satisfying example of straight-up superheroics.
Aquaman: Sword of Atlantis #56
Birds of Prey #110
Countdown to Mystery #1
Green Arrow/Black Canary Wedding Special #1
Tales of the Sinestro Corps: Parallax #1
Captain America #30
I think the book I liked the best from this week would still have to be Birds Of Prey. It was a well-executed fill-in by Tony Bedard and the regular art team of Nicola Scott and Doug Hazlewood, about the Huntress having to stop a series of urban crises. Scott and Hazlewood were given a lot to do in this issue, and they pulled it off pretty well. I liked both stories in Countdown To Mystery, and of course I liked JLA/Hitman and Captain America. The GA/BC Wedding Special was also pretty good, although I had to invent my own explanation for Dinah not using her Canary Cry at the very end.
Star Wars: Rebellion #10
Booster Gold #2
Search for Ray Palmer: WildStorm #1
Green Lantern #23
JLA Classified #42
JLA Wedding Special #1
Welcome to Tranquility #10
The most memorable from this week is Superman #667, the penultimate “Camelot Falls” chapter. I liked how Busiek tied Subjekt-17 into the main plot, and also how the issue portrayed Superman as a global hero. Now we just have to wait for the next Annual. Most everything else was good, especially the JLA Wedding Special; but I have to say I didn’t get much out of the SFRP:WS issue or JLA Classified. Oh, and I liked the wrap-up of “The Ahakista Gambit” in Rebellion. It left the door open to use these characters again, and by leaving them somewhat off-balance gave us a reason to want to see them some more.
September 21, 2007
In fact (if we’re being charitable), it might look like both men are a bit reckless — no! you don’t mean it! — but actually, they’re each thinking a couple of steps ahead! Hal knows Ollie has enough time to shatter the hourglass, despite it hurtling towards Earth at 32 feet per second per second; and Ollie knows Hal is ready to catch them in a power-beam construct.
Yeah … strategy….
(You’re freakin-A right this is for Diamondrock!)
[Yes, it's another scan from "Crisis In Triplicate!", Justice League of America #148, November 1977. Written by Paul Levitz & Martin Pasko, pencilled by Dick Dillin, inked by Frank McLaughlin.]