Comics Ate My Brain

August 28, 2009

New comics 8/26/09

My throat’s still a little sore, but the new comics just keep coming–!

Therefore, get ready for 32 minutes’ worth of Batman And Robin #3, Blackest Night: Titans #1, Detective Comics #856, Fantastic Four #570, Flash: Rebirth #4, Gotham City Sirens #3, Green Lantern #45, Madame Xanadu #14, Superman #691, Superman’s Pal Jimmy Olsen Special #2, Unknown Soldier #11, Wednesday Comics #8, and Wonder Woman #35. Can you handle it?

Music, of course, is by R.E.M.

Download it directly here, stream it directly from the player on this here site, or go to the podcast homepage here. Happy listening!

Advertisements

July 21, 2008

New comics 7/16/08

Filed under: birds of prey, captain america, flash, justice league, weekly roundups — Tom Bondurant @ 4:05 pm
We begin with Birds Of Prey #120 (written by Tony Bedard, pencilled by Michael O’Hare, inked by John Floyd), the first issue in a lonnnnng time neither written by Gail Simone nor pencilled by Nicola Scott. However, it’s also continued directly from #119, so I’m guessing that the departure of Scott and inker Doug Hazlewood wasn’t going to come at a clean break.

Anyway, it focuses on Infinity, a character new to me who’s basically invisible, immaterial, and electronically undetectable. While she sneaks into a bad guy’s lab, Black Canary and Oracle have the awkward beginnings of a conversation about the death of BC’s daughter. That’s over pretty quickly, though, and the rest of the issue involves Infinity’s escape and the surprise appearance of a Major Villain.

Since Bedard’s been writing BOP for a few issues now, the big news this month is the art. O’Hara and Floyd’s work reminds me of a more sedate Ed Benes — scratchy lines, but no radical departures, and fairly functional. Fight choreography is fine (although there’s a bit of a narrative gap — no pun intended — between pages 1 and 2) and expressions are decent. I’ll stick with the book until this arc ends and evaluate the new creative team then.

The first few issues of Tangent: Superman’s Reign were enjoyable, but tentative, steps establishing the parallel Earth and its stable of characters. With issue #5 (written by Dan Jurgens, pencilled by Jamal Igle, inked by Robin Riggs), the plot starts to lurch forward. The good guys’ forces must retreat from Tangent-Powergirl, and Tangent-Superman gets more proactive with regard to his DC-Earth counterparts. There’s not much technically wrong with the issue, although it’s not clear what happens to Hal Jordan after the first few pages. Actually, one of this issue’s highlights is the history of Tangent-Joker (written by Ron Marz, pencilled by Fernando Pasarin, inked by Matt Banning), augmented by playful poses of the character. Overall, still a fine Justice League story, and I hope it picks up steam.

The Flash #242 (written by Tom Peyer, drawn by Freddie Williams II) finds the Wests in Gorilla City looking for a cure for Iris’ condition. I view the West twins with a mix of affection and cynicism: affection because I think they’re good characters, cynicism over the fact that they could literally die whenever the story requires it. In other words, they’re around for exactly as long as DC considers them viable, and if getting rid of them means a bump in sales, well….

Still, this is a my-kid’s-gonna-die story, so its success depends upon whether Peyer and Williams can generate sympathy for a character who the audience has known for only a year. Call me a sap, but I got invested in Iris’ well-being. Williams’ expressive faces do much of the work, but Peyer’s dialogue keeps Iris’ mental age consistent even as her body grows older. Good work from all corners, and I’ll be waiting for next issue’s conclusion.

Captain America #40 (written by Ed Brubaker) features the return of artist Steve Epting for the big Cap vs. Cap fight (and Sharon vs. Sin on the undercard). Since it’s pretty much 22 pages of combat, I don’t feel bad about saying simply that it’s nicely choreographed. It should go without saying by now that Captain America is a mighty fine superhero comic which inspires multiple readings from issue #1 forward, but some months I just get tired of typing all that.

And on that tired-of-typing note, I will once again record my weekly purchase of Trinity (#7), observing merely that it too was reliably good.

June 28, 2008

New comics 6/18/08

Catching up, yet again….

I’m a little torn about the format of Secret Invasion: Fantastic Four (#2 written by Roberto Aguirre-Sacasa, pencilled by Barry Kitson, inked by Mick Gray). On one hand I don’t like crossovers disrupting a regular creative team’s groove, especially if that team does Culturally Significant work. On the other, it’s always nice to see how the regular creative team handles the shared-universe responsibilities. Besides, at some point I just want a singular creative voice.

Still, I know it’s naive to wish that SI: FF were three issues of the regular book; and it’s somewhat petty to say that it’s better than Mark Millar and Bryan Hitch’s work. For someone not reading Secret Invasion, and therefore not looking to reconcile the FF miniseries with the bigger picture, it’s simply a story about Johnny fighting his Skrull ex-wife while Ben protects Franklin and Valeria from the horrors of the Negative Zone. Everyone involved has good handles on the characters. There’s nothing wrong with it, but it’s not Culturally Significant either. At times It can be pretty cute, though (“Yay, prison!”).

Tangent: Superman’s Reign #4 (written by Dan Jurgens, pencilled by Jamal Igle, inked by Robin Riggs) also falls in the “why isn’t this in the main book?” category. It’s basically a Justice League story, superficially very close to the JLA/JSA multiversal team-ups of yore. However, it’s also something of a sequel to the “Tangent Comics” specials from ten years ago, so I guess that’s why it gets its own maxiseries. It’s been consistently entertaining, and this issue provides a little more insight into what Tangent-Superman sees as his benevolent dictatorship. Otherwise, more Justice Leaguers (Batman, GL/Hal Jordan, Black Canary, Black Lightning) join Flash and GL/John Stewart on Earth-Tangent, there’s a stunning reversal, and we have our cliffhanger. The art is good — I like Jamal Igle, and while Robin Riggs’ inks are a little more loose than I’m used to seeing on Igle’s work, he keeps the book from getting bogged down. Every time I read an issue I feel like I’m farther into the story than I actually am. On balance I suppose that’s a compliment.

Via Annie, the Long-Suffering Girlfriend, RASL #2 (by Jeff Smith) offers a little more background on our hero and his dimension-hopping, and sets up the next bit of plot. The rest is tone and attitude — Rasl likes the ladies, Annie has an holistic approach to parallel universes. The issue feels like it’s about 8 pages long, not 32, but that’s part of Smith’s sparse approach. Still, there’s enough in the issue (both implicit and explicit) that I didn’t feel shortchanged, and I’ll be waiting for #3.

Paul Smith returns as penciller of The Spirit (#18 written by Sergio Aragones and Mark Evanier and inked by Walden Wong), tackling a story which sends our hero to Egypt to deal with — what else? — mummies. This is getting to be the Adam West version of The Spirit, but that’s not necessarily bad. Anyway, the ending is a bit predictable, so not quite as enjoyable as the other Aragones/Evanier done-in-one stories; and the art is good as always.

Wonder Girl and Speedy go on a date — with danger!! — in Teen Titans Year One #5 (written by Amy Wolfram, pencilled by Karl Kerschl, inked by Serge LaPointe), a thoroughly charming story which incorporates an old Titans villain, the Batmobile knock-off called the Arrow-Car, and a Green Arrow who’s about as good a foster parent as you’d think. Of course the date goes wrong; of course Wonder Girl saves the day (the date’s told mostly from her perspective, after all); but that’s not the end of the story, and that ending sets the story apart. What’s more, the art is a very nice blend of linework and painting which I’m guessing was run through some PhotoShop filter … but technical details aside, it sets a dreamlike tone perfect for a first date. Really great work from Kerschl, LaPointe, and colorist John Rauch. I’ll be very sorry to see this miniseries end.

Speaking of Green Arrow, here he is in The Brave and the Bold #14 (written by Mark Waid, drawn by Scott Kolins), essentially providing a body for Deadman to inhabit. Accordingly, this isn’t so much a team-up as it is a takeover, but it’s still a suspenseful Deadman story. See, Deadman needs to get back to his spiritual home of Nanda Parbat to free it from some evil presence, but along the way said presence keeps throwing mind-controlled pawns in his way. Waid and Kolins effectively evoke the spirit (so to speak) of paranoid thrillers like Invasion of the Body Snatchers; and while I didn’t quite buy what the cliffhanger ending was selling, I can’t complain about the execution.

The Flash #241 came out almost concurrent with the news that writer Tom Peyer and artist Freddie Williams II may well be leaving. That’s too bad, because the current issue manages to use Gorilla Grodd, multiple Flashes, the Fourth-World-flavored bad guys behind the Dark Side Club, and Wally’s ironic punishment (torture?) of Flash-killer Inertia, in a fairly cohesive story. It’s a little too much to explain, but it all works. Both Peyer and Williams have found their grooves on the title, and Williams especially does good work with Wally’s kids.

Birds Of Prey #119 (written by Tony Bedard, pencilled by Nicola Scott, inked by Doug Hazlewood) is, at first glance, a “moving-in” story about the Birds (don’t call them that!) relocating to the Silicon Valley-esque town of Platinum Flats. However, in conjunction with Justice League of America #22 (written by Dwayne McDuffie, pencilled by Ed Benes, inked by Sandra Hope), it could be a lesson on How To Draw Super-Women.

On BOP, Nicola Scott draws a virtually all-female cast: the wheelchair-bound Oracle, the teenager Misfit, and the well-built Huntress, Lady Blackhawk, Manhunter, and Black Canary. Black Canary also appears in Justice League, along with Hawkgirl, Vixen, and Wonder Woman, and Zatanna. In the current issue of BOP, the women mostly do mundane things: talk, unpack, lift and tote boxes, etc. There are a couple of fight scenes, but more character interaction. Over in JLA, the women have some character scenes too — especially Vixen and Black Canary. However, this reader was distracted by penciller Ed Benes’ fascination with Vixen’s dinners (her costume’s zipper can’t take the strain!) and Black Canary’s rear. BC gets a Dramatic Reveal as a prelude to a fight in BOP, but Scott makes it heroic and not particularly sexualized. In JLA, though, when the same character delivers a bit of straight talk about the future of the Justice League, Benes gives her the beginnings of a wedgie and thrusts out her butt. What’s weird is that Benes used to draw both BOP and Supergirl, and wasn’t this blatant on either.

JLA has story problems too — it focuses yet again on Red Tornado’s Search For Humanity, a topic former writer Brad Meltzer pursued at his peril. I will say that if the Vision is currently out of commission, the comics world may be in desperate need of emotive androids, but it feels like this title has had maybe four different plots in almost two years. There’s also some business about Red Arrow’s relationship with Hawkgirl, and the aforementioned Vixen subplot, and I wonder whether those wouldn’t also have come off better had they not been portrayed by Mr. Benes. His work is just too sketchy, scratchy, busy — you get the idea — and at this point it’s become a distraction. McDuffie I still have faith in; but Benes needs to go.

Finally, I continue to like Trinity #3 (main story written by Kurt Busiek, pencilled by Mark Bagley, inked by Art Thibert). This issue brings in the Justice League and also (in the Fabian Nicieza/Mike Norton & Jerry Ordway second story) introduces Tarot, and it’s a pretty decent, old-fashioned superhero story.

May 31, 2008

New comics 5/21/08

Yes, these are comics from ten days ago. Memorial Day Weekend was just too jam-packed, and I came out of it apparently itching to write a 2200-word dissertation on Crisis On Infinite Earths, the original JLA/JSA team-ups, and the problems with line-wide events.

Therefore, might as well begin with the lead-in to the latest LWE, Justice League of America #21 (written by Dwayne McDuffie, pencilled by Carlos Pacheco, inked by Jesus Merino). I really, really hope that this is the last crossover-affected issue of JLA for a while. It begins with a 9-page sequence of the “Trinity” sitting around a table talking about how they’re not really running the League from behind the scenes. I thought the dialogue was good (“I had a run-in with Mr. Polka-Dot.” “Is that a euphemism?”). However, although Pacheco kept the talking heads from getting too boring, he could have used a few flashback images. Overall, it assumes a little too much knowledge, even on the part of the longtime reader. I presume this will have repercussions in JLA itself, but I wouldn’t be at all surprised if it showed up later in Trinity.

The bulk of the issue concerns the Human Flame, his fight with Red Arrow and Hawkgirl, and his recruitment by Libra. HF is a schmoe, that’s for sure; but he’s not the stereotypical lovable-loser supervillain schlub. McDuffie gives him a mean streak that undercuts whatever sympathy we might be starting to feel. Likewise, Pacheco doesn’t play up any endearing parts of his dumpy appearance. Overall, this was a well-told story, but I still think it should have been in a Secret Files.

For those of you who know the dirty secret of cruise ships — namely, that they give the surviving passengers hush money to cover up all the deaths — the nautical nastiness depicted in The Spirit #17 (written by Mark Evanier and Sergio Aragones, pencilled by Aluir Amancio, inked by Terry Austin) will come as no surprise. This was yet another light-hearted, compact caper using Will Eisner’s characters and designs; but one of the subplots seemed pretty obvious and the other only slightly less so. Also, from what little I’ve read of the original Spirit stories, I don’t remember Ellen Dolan being such a self-absorbed Barbie doll. Amancio and Austin’s work is more cartoony than Paul Smith or Mike Ploog, but it gets the job done.

According to the first page of Fantastic Four #557 (written by Mark Millar, pencilled by Bryan Hitch, inked by Paul Neary), I should have read Mighty Avengers #11 first. However, I don’t know why; and I’m not eager to track down a 3-month-old issue to find out. Anyway, I did like how Reed and Sue celebrate their anniversary, but the rest of it is a bunch of exposition wrapped around a one-joke fight scene. I can kind-of accept “the Anti-Galactus,” but things like Johnny’s nympho supervillain girlfriend and the faux-drama about Reed being tempted just seem artificial. The snow effects look better this time, though.

Captain America #38 (written by Ed Brubaker, pencilled by Steve Epting, inked by Epting and Mike Perkins) (re)introduces what I presume is the last player in this particular arc, and sets him up against Bucky/Cap. It’s hard to explain without giving everything away, but I’ll try. Using a raid on an AIM base as its main sequence, the issue examines the relationships of mentors and proteges, and inspirations and successors; and observes that, for the three principals involved, those roles have shifted, if not outright reversed. It’s a neat little chapter which probably sums up at least one of Brubaker’s overriding themes, and while it might appear to be a simple action issue, there’s a lot more going on.

For the second straight month, Tangent: Superman’s Reign (#3 written by Dan Jurgens, pencilled by Jamal Igle, inked by Robin Riggs) focuses on the squad of Tangenteers trying to free the Tangent Atom. While that subplot achieves some closure, and the two worlds’ characters actually come into conflict (as opposed to comparing notes), it still feels a little redundant. I like Igle’s work fine, although Riggs’ inks are looser than what Igle usually gets. It feels more like a Justice League story than what’s been in JLA lately; and next issue I bet things will pick up.

The “Dark Side Club” banner started appearing on particular DC titles last week, and it looks like the kind of underground fight-club we’ve seen before. Specifically, Birds Of Prey #118 (written by Tony Bedard, pencilled by Nicola Scott, inked by Doug Hazlewood) opens with a fight involving Sparx, a D-list character whose abduction we see in the first issue of Final Crisis. So, you know, there’s that crossover element we like so much. The rest of the issue involves Black Alice and Misfit fighting, again. This issue introduces a new aspect of their relationship which leads to a result I wasn’t expecting. However, I wasn’t expecting it because their relationship feels artificially manipulated to begin with, and the latest twist just seems like another manipulation. Scott and Hazlewood are good as always, with (I hate to say it) a grisly, shadowy death being a particular highlight.

The new issue of The Flash (#240, written by Tom Peyer, drawn by Freddie Williams II) also sports a “Dark Side Club” banner, but it’s incidental to the main story of Wally and Jay vs. Grodd and Spin. I can’t complain any more about Williams’ chunky Flash, because he seems to have gotten through that phase. I also got a kick out of this issue’s mind-control victims talking in Local-Newscast-ese — it’s funny ’cause it’s true. The cliffhanger makes me wonder about the length of the current setup, though….

Finally, here’s Jay Garrick again, teaming up with Batman in The Brave and the Bold #13 (written by Mark Waid, pencilled by Jerry Ordway, inked by Scott Koblish and Bob McLeod). They make a good team, because the easygoing Jay not only provides a good counterpoint to Batman’s intensity, Batman respects him and so dials it back a few notches. The plot, involving an old Bat-villain, a mad scientist, killer robots, and Jay’s chemist colleagues, may be more complicated than it needs to be, but it’s probably necessary to get these two characters together. I daresay Ordway’s more understated style is better-suited to this story’s amiable nature than George Perez’s would have been; and Waid provides good conversation amongst all the robot-smashing.

Look for the comics from Thursday (Happy Grant Morrison Day!) in the next couple of days.

April 22, 2008

New comics 4/16/08

Let’s begin with Captain America #37 (written by Ed Brubaker, drawn by Steve Epting), an issue where everybody hassles Bucky and/or Tony Stark for the whole New Cap thing. Its tone is lighter than the book’s been in a while, with Bucky commenting on everyone hassling him and a weird anachronistic dream sequence. After the relentless pace of the last few issues, though, it’s a welcome change. There are also some nice moments involving the Falcon which I appreciated more in light of plok’s advice on the ’70s Steve Englehart run. My one complaint involves a certain ex-Avenger who shows up at Bucky’s loft. I wouldn’t have known who it was without his being identified in dialogue; and I know that’s part of what dialogue does, but I see “burly blond guy” as drawn by Epting and I think Steve Rogers. Either him or Aquaman. In other words, he didn’t look like ******* to me. Nitpicky, I know.

Bat Lash #5 (written by Sergio Aragones & Peter Brandvold, drawn by John Severin) finds Bat looking to settle affairs with Brubaker and Wilder, the story’s main villains. Helping matters along are the rest of the town and Bat’s Native American allies, all of whom want the bad guys dead. It’s a darkly comic issue which doesn’t zip along as quickly as it wants to. It’s decent enough, I guess. It does set up what I presume will be the final showdown, which in turn should form the foundation of Bat’s familiar personality. So, looking forward to next issue, because it needs to make up for the shortcomings of its predecessors.

Exposition balances action in Tangent: Superman’s Reign #2 (written by Dan Jurgens, pencilled by Jamal Igle, inked by Robin Riggs), as the Tangent GL revives one of the Tangent Jokers for one last adventure. That has to wait, however, because the Joker needs to tell us about her death at Tangent Superman’s hands. The other action sequence involves more Tangent heroes trying to free the Tangent Atom, and that’s balanced against a scene with the Tangent Superman intimidating some sheiks. Tangent, Tangent, Tangent. Still, I’m surprised at how well the Tangent U. holds together, considering it started life as a series of one-shots. This continues to be one of Jurgens’ better writing efforts, and I like Jamal Igle a lot already.

Superman #675 (pencilled by Renato Guedes and Jorge Correa Jr., inked by Jose Wilson Magalhaes and Correa) is Kurt Busiek’s last issue as writer before he moves over to the weekly Trinity starting in June. Accordingly, he can go out on a story where Superman fights Daxamite priests (I thought they were pacifists), the power-duplicating Paragon, and the new Galactic Golem. Busiek has done a great job recreating the feel of a Superman comic from the 1970s, when the conflicts came from disruptions to the character’s semi-formal routines. Here, Busiek has been building those routines, so the normal super-fights tend to come across like days at the office. This particular arc has been a little more shaggy than some, but it still holds together well, even in the parts describing the Golem and how to defeat it. The art is good — Guedes’ work is very similar to what I’d call the thin-lined, “open” style of Pete Woods, who started with Busiek two years ago. Superman is big but not bulky or overmuscled, and everybody moves well. Correa picks up the spare without being too noticeably different, so god work all around.

I liked The Flash #239 (written by Tom Peyer, drawn by Freddie Williams II) more than I did Peyer’s first issue, and that’s mostly due to the rationalization of Wally’s behavior. An increasingly cranky Jay Garrick gets a lot of attention this time out, which leaves Wally free to act more like the Wally we know. He does get a pretty good gig this issue, but doesn’t get a chance to enjoy it. Peyer’s script is effective at portraying the tide of public opinion turning against Wally. While a lot of that might be mind control, Peyer gives it enough nuance that we’re never quite sure. I also liked Williams’ art throughout this issue, which I think is a first. He’s finally getting a good feel for Wally’s figure and his movement. (Hey, it took me a while to come around to Pat Gleason too.)

The Brave and the Bold #12 (written by Mark Waid, pencilled by Jerry Ordway, inked by Bob Wiacek) finishes the “Megistus” storyline with a plethora of characters including Superman, the Challengers, Green Lantern, and Metamorpho. However, the star turns out to be Challenger June, who apparently has some inferiority issues over not “living on borrowed time” like the original Challs. Why she has these issues after forty-odd years with the group is never quite explained, but not being a COTU scholar I’ll defer to Waid on that one. The script is a little more clunky than is usual for this book, probably due to the number of characters and the wonky element-transmuting mechanics of the plot. Ordway does well with it, though; and he delivers customarily solid work here. Although there’s a clever nod to Final Crisis, here’s hoping that this book continues to be the tonic for the constant-crossover mentality.

… And speaking of which, the penultimate issue of Countdown (#2 written by Paul Dini and Sean McKeever, story consultant Keith Giffen, drawn by Scott Kolins) starts with Giant Turtle-Boy Jimmy and ends with what looks like the series’ most obvious setup for Final Crisis. (That is, before DC decided that this series wouldn’t really lead into FC quite so much.) It’s pretty straightforward stuff — two interconnected fights bridged by some Atom heroics, portrayed well by Kolins and colorist Tom Chu. (I’m guessing Giffen might have contributed to the breakdowns, but I don’t know for sure). Let’s put it this way — this issue made me think Kolins would be a good fit for a Hulk series. It didn’t redeem all of Countdown, and I doubt there’ll be much in this week’s final issue to do that, but on its own it was a good fight.

February 24, 2008

New comics 2/20/08

The Brave and the Bold #10 (written by Mark Waid, pencilled by George Perez, inked by Scott Koblish) presents another time-hopping extravaganza for what has turned out to be Perez’s last issue. After a prologue with the Challengers of the Unknown, Superman and the Silent Knight team up to fight a dragon and destroy a Megistus-related gizmo. In this story, Waid uses the Knight as a first-person narrator, but the narration isn’t the usual hip-thought-balloon substitute. Instead, as a one-page montage of their travels demonstrates, the Knight is actually telling the story himself, thereby (at the risk of being redundant) narrating. So that was nice. The second half of the issue is a fun look at Aqualad through the eyes of the original Teen Titans, Aquaman, and Megistus himself. (The Big M alludes to the powers that the adult Garth will manifest as Tempest.) Set around Aquaman’s wedding to Mera, it includes cameos by the Justice League and a neat set of jokes at the expense of Wonder Woman’s earrings. Perez’ work is, of course, great as always, and I’m sorry to see him go — but as long as Waid and new penciller Jerry Ordway are on board, this will be one of DC’s best titles.

I liked the big payoffs in Countdown #10 (written by Paul Dini and Justin Gray & Jimmy Palmiotti, story consultant Keith Giffen, drawn by Scott Kolins), and it’s probably not worth complaining about the time it took to get to them. Harley, Holly, and Mary fight what I presume is a fresh-baked batch of Female Furies, Karate Kid fights the OMAC-ed Una, and it looks like everyone will have to fight all of Apokolips before too long. You’d think that with two powerhouses, a Green Lantern, an ex-Atom, and an ex-Robin, that wouldn’t be too hard, but there are still nine issues to go. Kolins’ art was good, although a little stiff and sketchy, kind of like Ron Lim. The dialogue was serviceable, because it really didn’t have much to do beyond get the characters from one beat to the next. Finally, Scott Beatty and Bruce Timm contribute the very fun two-page Origin Of Harley Quinn.

The Salvation Run-fueled storyline continues in Justice League of America #18 (written by Alan Burnett, pencilled by Ed Benes, inked by Sandra Hope), and it doesn’t improve that much. Burnett uses those first-person narrative-caption boxes Meltzer-style, which is to say that they’re connected to the narrator/thinker only by their colors. The main story is fifteen pages long, but two of those are a rump-tastic double-page spread and most of it is a bunch of exposition and posturing between the League and the Suicide Squad. It’s the kind of thing that turns me off of crossovers, and considering I’ve stuck with Countdown this long, that’s not an easy thing to do. The backup story, by Dwayne McDuffie, Jon Boy Meyers, and Mark Irwin, is a Red Tornado spotlight that doesn’t have much to do with anything. It describes the shiny new body Reddy is getting, and is probably intended to make him more sympathetic, but it just kind of sits there. I’m not terribly familiar with the artists, whose work is reminiscent of Todd Nauck’s.

Birds Of Prey #115 (written by Sean McKeever, pencilled by Nicola Scott, inked by Doug Hazlewood) picks up with the Huntress and Lady Blackhawk tracking the old Blackhawk nemesis King Shark. Meanwhile, Oracle has to keep Misfit from killing Black Alice before BA can track down the magical menace who blew up a city block (and apparently killed Will & Grace) a couple issues back. This was a good issue, well-paced and fairly dialogue-driven. I expected the tension between Misfit and Black Alice to be a little wackier, given the cover, but Misfit comes across like a petulant kid … which, of course, she is. I liked that McKeever was willing to take her there. Misfit is reminding me more of a non-psychopathic Tara Markov, and that’s a good thing. Scott and Hazlewood turn in another fine issue, although I didn’t quite get on the first pass the “lava burp” which downs the Blackhawk plane.

Yes, that’s Superman in Checkmate #23 (written by Greg Rucka and Eric Trautmann, pencilled by Joe Bennett, inked by Jack Jadson), and he’s only part of the well-done first installment of “Castling.” The deep-cover agent who’s infiltrated Kobra sends out a desparate message, alerting Checkmate to a big threat on the horizon from the cult. The situation is so dire that only Superman can evac the agent, which he does in typical fashion. The highlight, though, is the relationship between Checkmate and Superman, which is a real pleasure to see portrayed. I liked this issue a whole lot. Bennett and Jadson’s clean lines contrast well with Santiago Arcas’ earthy color palette (Superman excepted, of course). Superman alludes to his previous dealings with a less charitable Checkmate, but ultimately he respects the current leadership and they respect the heck out of him. I’ll hate to give this book up when Rucka and Trautmann leave in a couple of issues, but I don’t see how too many writers could produce something this enjoyable.

Superman also appears in The Flash #237 (written by Keith Champagne, pencilled by Koi Turnbull, inked by Art Thibert), as the Wests take a field trip to Metropolis. Wally procrastinates about job interviews by going on superhero missions, while Linda sends the kids on a scavenger hunt. I’m of two minds about the art: on one hand, it’s certainly kinetic and expressive, which is appropriate for the book; but on the other, it’s almost too busy. The story also seemed rather unfocused. The job-interview scenes were cute (apparently Wally still has a secret identity as far as the general public is concerned), and I liked Linda’s interaction with Lois Lane, but I had a hard time keeping the Metropolis plot straight. Tom Peyer starts as writer next issue, so I’m looking forward to that.

Batman Confidential #13 (written by Tony Bedard, pencilled by Rags Morales, inked by Mark Farmer) begins a new arc featuring The Wrath, a one-off villain from a 1980s Batman Special. Wrath’s parents were criminals killed by a policeman — James Gordon, in fact — so his life takes an oddly familiar, yet twisted path. Now he’s back, and killing policemen attending a Gotham police convention. This story takes place in the Disco Nightwing days (which makes me think Jason Todd should be around somewhere), so there’s some tension between Dick and Bruce, and Leslie Thompkins is still in the picture too. I liked it pretty well — Morales is a good storyteller, and I like Farmer inking him. I liked the cliffhanger, too.

I also liked Superman Confidential #12 (written by B. Clay Moore, pencilled by Phil Hester, inked by Ande Parks), almost more for the art than for the story. It’s a fun start to an arc involving the origin of Jimmy Olsen’s signal watch and the Toyman’s giant killer robots. I’ve always liked Hester and Parks’ thick-lined, “cartoony” style, though; and they suit this kind of light-hearted adventure very well.

Finally, The Spirit #14 introduces the new creative team of writers Sergio Aragones and Mark Evanier, penciller Mike Ploog, and inker Mark Farmer, replacing writer/artist Darwyn Cooke. Their first issue is pretty entertaining — a light murder mystery that didn’t exactly play fair, but with a good sense of fun that carried it. Ploog and Farmer evoke Eisner’s designs for the most part, although I thought their Spirit’s jaw wasn’t square enough and they didn’t bring the same overall design schemes to the book that Cooke did.

So there you go. By the way, I still haven’t gotten my scanner hooked up yet, but probably this week sometime.

January 19, 2008

New comics 1/16/08

Filed under: birds of prey, booster gold, checkmate, countdown, flash, groo, justice league, weekly roundups — Tom Bondurant @ 3:44 am
I’m not going to make the deadline for Friday Night Fights, but I do have time to run down this week’s comics.

First up is The Flash #236, writer Mark Waid’s last issue on the title and also the conclusion of his introductory storyline, “The Wild Wests.” From a writing standpoint, my biggest problem with this issue was the fact that it hinges on a story element which, honestly, I don’t think I’d noticed until it was pointed out. While that might have been lazy reading on my part, it made the rest of the arc feel a little unfocused, as far as the alien-fighting went. Still, part of the point of the story was to establish the new West Family status quo, and this I think it did pretty well. Freddie Williams II continues to draw a bulkier Flash than I’m used to, but his storytelling is alright and I could probably get used to him. I’m eager to see what new writer Tom Peyer brings.

In Groo: Hell On Earth #3 (written by Mark Evanier, drawn by Sergio Aragones), the allegory gets pretty thick, although again I just this issue noticed that the pro-war leader has a “B” initial and the pro-environment one is a “G.” Also, the Bard’s rhyming narration was somewhat tortured at times. Otherwise, I liked it pretty well.

Checkmate #22 (written by Greg Rucka and Eric Trautmann, drawn by Chris Samnee) was a good conclusion to the Mlle. Marie spotlight. However, either I’m misremembering things all over the place or last issue ended with Josephine being betrayed by her guides. Maybe I saw a Newsarama preview. Anyway, it was a good issue. Jo is competent enough, naturally, working her way across the Mideast and through various thugs, while flashbacks fill in her story and the story of Marie generally. I thought the “succession” scene was very effective — you’d think it’d be seen more frequently, considering DC’s army of legacy characters; but go figure. I like Samnee’s work pretty well, too — he’s a good storyteller and choreographer. Checkmate is the spiritual heir to Rucka’s, Ed Brubaker’s, and Michael Lark’s work on Gotham Central, and that’s about the best compliment I can pay it.

I’m not sure how to approach the two stories in Justice League of America #17. I was glad that the main story (written by Alan Burnett, pencilled by Ed Benes, inked by Sandra Hope) picks up on the Brom Stikk subplot from last issue, and spins it into a larger Salvation Run-influenced plot. That at least gave last issue and this issue some collective meaning. Moreover, a big group of villains interacting with the Justice League is a natural plot for this book, and the twist applied to it was appropriate and intriguing. The second story (written by Dwayne McDuffie, pencilled by Jon Boy Meyers, inked by Serge LaPointe) focuses on the nature of Vixen’s mimicry powers, and specifically how she’s able to mimic specific abilities. I’m guessing it has a lot to do with Amazo, so let’s hope that’s either confirmed or discounted quickly. Overall, I’m frustrated with JLA for its current crossover-maintenance role — a Tangent story last issue, the Salvation story here — and while the latter plot shows some movement towards a more traditional League adventure, that movement has been incremental the past few months.

Speaking of crossovers, here’s Booster Gold #6 (written by Geoff Johns & Jeff Katz, pencilled by Dan Jurgens, inked by Norm Rapmund), the big “Let’s Save Ted Kord” issue. It’s the kind of thing you read and enjoy on a superficial level, knowing full well that whatever changes, it won’t stick and Booster will end up learning a Valuable Lesson. I hope I’m wrong, and that all involved are just using that expectation to build suspense and actually have a happy ending. I’d like that for Booster. As for the issue itself, it’s good as usual. Rip Hunter gets a fun dramatic entrance. Jurgens’ figures can be a bit stiff, but he puts a fair amount of expression and emotion into Booster’s memories of Ted.

Birds Of Prey #114 (written by Sean McKeever, pencilled by Nicola Scott, inked by Doug Hazlewood) made more sense after I read on the Internets that Lady Blackhawk was once mind-controlled into being King Shark’s moll. Also, while I enjoy spending time with the Birds, and continue to enjoy Scott & Hazlewood’s work, this issue felt very transitory to me. Oracle is riding everyone hard after the events of last issue. Misfit is the main outlet of her aggression. Lady Blackhawk and Huntress turn to booze. (They’re the relatively calm center of a brawl-prone bar, in a scene that maybe would have worked better had the fights in the background not been so obscured by the dark coloring.) These scenes are all fine on their own, and the last-page reveal is effective, but although groundwork is laid for future storylines, I didn’t get the sense it was all building to something significant. Maybe I just needed an obvious “Part 1” in the story title, I dunno.

Finally, speaking of building to something, Countdown #15 (written by Paul Dini & Tony Bedard, story consultant Keith Giffen, pencilled by Pete Woods & Tom Derenick, inked by Wayne Faucher) went a long way towards pulling this often-haphazard series together. Concentrating on Ray Palmer and Earth-51 has focused the story’s energies better than a lot of other plot devices, I think, and it may be deceptively easy to say in hindsight that this plot should’ve been explored in more depth earlier on. In keeping with the “preliminary” nature of this series, I get the feeling that Monarch & co. won’t be defeated anytime soon, but instead everyone’s gaining useful experience for Final Crisis. I liked the movement on the Paradise Island plot, and also the return of Brother Eye. I guess the Pied Piper story will have to wait another week, though (at least). The art was pretty good — Faucher managed to blend Woods’ and Derenick’s disparate styles together. It wasn’t seamless, but it wasn’t a jarring transition either. Not bad, although I’m not ready to re-evaluate the entire experiment based on a few decent issues.

December 29, 2007

New comics 12/28/07

… So I bought sixteen comic books and then entered a Nyquil fog? Isn’t it supposed to happen the other way around?

Jeez, sixteen comics. I’ll point out quickly, though, that three carry the Countdown banner, two the 52 Aftermath one, and a couple of others are one-shots (Green Lantern Secret Files, Fantastic Four Isla de la Muerte), and one I’m just giving a tryout to (LSH). So that’s half, which makes me feel a little better.

Also, I read ’em last night during the Nyquil haze, so I might still be a little fuzzy talking about ’em today.

Onward!

The three Countdown books — Arena #4, C. To Adventure #5, and issue #18 of the main book — were all pretty competently done. The big attraction in the main book was the reunion with Ray Palmer, but it felt more like the capper to those wheel-spinning Search For specials from the past few months. Good to check in with Ray, but not much else happened this week, and of course another cliffhanger ending. The Adventure book advanced the plot in San Diego, but seeing that we’re past the halfway point and our three stalwarts haven’t hooked up again, the story starts to look a little more padded. Finally, Arena wrapped up with a weird fight involving the Supermen, made even more incomprehensible by Christopher Kent (the bald one)’s odd powers. If you had “Superman defeats Monarch,” you lost!

The Forerunner backup in C. To Adventure was okay, about her taking over a pirate ship and generally being hardcore, but the overall storyline has not engaged me.

Moving on. Green Lantern Sinestro Corps Secret Files & Origins #1 was surprisingly comprehensive as these things go, delivering on the cover’s promise of “bios on over 200 Lanterns!” and generally acting as the Bill James Baseball Abstract 2008 for all us GL fans. Worth the $4.99, and I don’t say that lightly about these Secret Files books.

Mark Waid strikes twice this week, first with Flash #235 and then with Brave and the Bold #9. The Flash story was fine; more intriguing for its Jai-Wally scenes than for any advancement in the plot. I’m not convinced that Freddie Williams is a good fit for this book. I might have mentioned already that his figures are a little on the bulky side, and for a speedster I don’t think that’s optimal. Still, it’s not a total mismatch. The backup fares better, being a Wally-and-Bart flashback and helping to explain the origin of the main story’s bad guy.

The Brave and the Bold #9 is likewise a patchwork of three fairly simple team-ups (Metal Men and Dial H For Hero, Blackhawk and Boy Commandos, present-day Atom and Hawkman) in which each set of heroes fights some messenger of Megistus. It’s all tied together by a Challengers of the Unknown framing sequence, and the suggestion that the Book of Destiny has come to life somehow. (There must have been some magic in that old silk hat they found….) It will probably mean more to the story once the bigger picture is seen, and it’s not the best issue so far, but it’s still pretty fun.

This week also sees a double dose of the Legion of Super-Heroes, first in their own book and then in Action Comics. Legion #37 kicks off the return of Scripter-Boy Jim Shooter, back after thirty-plus years; and I’ve gotta say, I wasn’t really encouraged. The thrust of the story is that new Legion leader Lightning Lad is, to put it lightly, overwhelmed by his responsibilities, with the team suffering as a result. The issue provides an overview of quite a few Legionnaires, which is appropriate, and it’s not really decompressed, which I appreciated; but it almost tries to do too much. Blocky, angular art from penciller Francis Manapul and inker Livesay doesn’t help the scenes flow into one another. There’s also not much sense that this Legion is appreciably different from the old Shooter/Levitz days, and I kinda think there should be. Maybe I’m just picky that way.

Over in Action Comics #860, what is allegedly the old Shooter/Levitz Legion gets its own workout, but again, the book just feels crowded with characters. Having them all introduced with their own bullet-point caption is a nice idea in theory, but in practice — take the first page, for example — the things can clutter up the page. The Legionnaires also crowd out Superman themselves, but if the point is to get all the players straight before the big scrum, that’d make it easier to take. Oddly enough, I think penciller Gary Frank makes the Legionnaires look a little older than Superman, which strikes me as an intriguing detail if it’s intentional. Look at the cheekbones on Lightning Lass and Night Girl. Those faces seem almost middle-aged to me. Anyway, we’re about where I’d expect for the halfway point of the story, so it’s still good thus far.

Green Lantern #26 bills itself as Part 1 of “The Alpha Lanterns,” but it’s more transitory than that. Pieces are picked up after the Sinestro Corps War, Hal and John go back to Earth, and a group of “Lost Lanterns” runs afoul of Amon Sur. Mike McKone comes on as penciller and does a good job. His layouts aren’t as crowded as Ivan Reis’s, but of course he’s not drawing thousands of GLs and Sinestros either. Because the issue is so episodic, it’s hard to get a sense of what it wants to accomplish, and it dispenses with the “Alpha Lantern” thing pretty quickly. We’ll see how Part 2 deals with the Alphas, I guess.

Another somewhat transitory issue was Captain America #33, wherein the Winter Soldier’s arm beats up some SHIELD techs and the fully-armed (ha ha) W.S. almost takes out Iron Man. Pieces are put together by the good guys re: the involvement of the Red Skull, and next issue advertises the New Cap. Another fine installment.

Fantastic Four: Isla De La Muerte was a cute one-shot spotlighting the Thing’s annual secret vacation to Puerto Rico. With as much time spent on team dynamics as on the mystery du jour, it’s a good little FF story. I don’t quite see the resemblance between Ben and El Morro, though. The art, by Juan Doe, is fairly cartoony, but I just say that to describe, not criticize.

JLA Classified #49 was a strange, rather insubstantial story about the Leaguers’ various helpmates reacting to their being off-planet on a dangerous mission. Most of it concerns Lois Lane and Alfred Pennyworth meeting for the first time, which you’d think would place this fairly early in DC history; but Wally is the Flash and Linda is his sweetie, so it can’t be that old. Also, Lois either doesn’t know Superman’s secret, or doesn’t know that she can share it with Alfred. Paulo Siqueira and Amilton Santos are the penciller and inker, respectively, and they combine to produce somewhat Adam Hughes-like figures. However, the layouts are a little too self-conscious, with figures jumping out of panels when they maybe really shouldn’t. The overall effect is to make the story seem more important than it is. I hate to be a continuity stickler, but it might’ve worked better with a more open relationship among the principals; and that might’ve been better portrayed with a group which included the Silver Age significant others. Those people did hang out together in a way that, say, Alfred and Lois don’t.

Teen Titans #54 finished up the “Titans Of Tomorrow Today” storyline, but I’m not sure how. Did the revelations about Future-Kon and Future-Bart really affect the current Titans’ viewpoints enough that history will be changed for the better? And what about that epilogue? The issue has some nice moments, many of them involving Wonder Girl or Blue Beetle, but I don’t know that they add up to a coherent conclusion.

Batman #672 sees Grant Morrison and Tony Daniel return to the familar “Three Evil Batmen” storyline Morrison had been working before the Club of Heroes and Ra’s al Ghul arcs intervened. I liked this issue pretty well, although I thought the ending was confusing. Since it involved Zur-En-Arrh, a Batman getting shot, and what looks like Bat-Mite, I’m sure it’ll be explained eventually. Daniel and his various inkers still remind me of Andy Kubert, but that may well be the influence of Guy Major’s colors.

Finally, the two 52 spinoffs, Four Horsemen and Crime Bible, were both pretty entertaining. I especially liked Crime Bible‘s look at the Gotham PD and, therefore, Greg Rucka’s “return” to Gotham Central territory. Batwoman also seemed a lot more plausible as a crimefighter, although you’d think we’d have seen her in more places even taking her recovery into account. Anyway, Crime Bible was more a spotlight on the Question’s relationship to Batwoman, and for that it was pretty good.

Four Horsemen continues to be a good adventure story, weaving various ancillary characters like Mr. Terrific, Veronica Cale, and Snapper Carr into its story about DC’s “Big Three” taking on Apokoliptian terror-gods. This issue adds the Doom Patrol. It’s all very well-organized, with enough set pieces (like Superman’s and Batman’s respective duels with Horsemen) to hold my interest. Of course, there’s not much doubt about the outcome, so the fun is in seeing how we’ll get there.

Whew! How’s that for a whirlwind look at an end-of-year blowout week?

* * *

CREDITS

Action Comics #860. Written by Geoff Johns, pencilled by Gary Frank, inked by Jon Sibal, colored by Dave McCaig.

Batman #672. Written by Grant Morrison, pencilled by Tony Daniel, inked by Daniel, Jonathan Glapion, and others, colored by Guy Major.

The Brave and the Bold #9. Written by Mark Waid, pencilled by George Pérez, inked by Bob Wiacek and Scott Koblish, colored by Tom Smith.

Captain America #33. Written by Ed Brubaker, pencilled by Steve Epting, inked by Butch Guice, colored by Frank D’Armata.

Countdown Arena #4. Written by Keith Champagne, pencilled by Scott McDaniel, inked by Andy Owens, and colored by Guy Major.

Countdown To Adventure #5. “Space Heroes” written by Adam Beechen, pencilled by Allan Goldman, inked by Julio Ferreira, and colored by The Hories. “Forerunner” written by Justin Gray, pencilled by Fabrizio Fiorentino, inked by Adam DeKraker, and colored by The Hories.

Countdown (To Final Crisis) #18. Written by Paul Dini and Sean McKeever, story consultant Keith Giffen, drawn by Scott Kolins, colored by Tom Chu.

Fantastic Four: Isla de la Muerte! #1. Written by Tom Beland, drawn and colored by Juan Doe.

52 Aftermath: Crime Bible — Five Lessons Of Blood #3. Written by Greg Rucka, drawn by Matthew Clark, colored by Javier Mena.

52 Aftermath: The Four Horsemen #5. Written by Keith Giffen, pencilled by Pat Olliffe, inked by John Stanisci, colored by Hi-Fi.

The Flash #235. Main story written by Mark Waid, drawn by Freddie Williams II, and colored by Tanya & Richard Horie. Backup written by Waid and John Rogers, drawn by Doug Braithwaite, and colored by Alex Sinclair.

Green Lantern #26. Written by Geoff Johns, pencilled by Mike McKone, inked by Andy Lanning, Marlo Alquiza, & Cam Smith, and colored by JD Smith.

Green Lantern Sinestro Corps Secret Files & Origins #1. Written, drawn, and colored by too many people to mention.

JLA Classified #49. Written by Andrew Kreisberg, pencilled by Paulo Siquiera, inked by Amilton Santos, and colored by Allen Passalaqua.

Legion of Super-Heroes #37. Written by Jim Shooter, pencilled by Francis Manapul, inked by Livesay, and colored by Nathan Eyring.

Teen Titans #54. Written by Sean McKeever, pencilled by Eddy Barrows, Joe Prado, & Greg Tocchini, inked by Rob Hunter, Julio Ferreira, Oclair Albert, & Prado, and colored by Rod Reis.

October 28, 2007

New comics 10/24/07

We begin this week with Teen Titans #52 (written by Sean McKeever, pencilled by Jamal Igle, inked by Marlo Alquiza, Jesse Delperdang, and Rob Hunter), essentially a series of fight scenes involving the Titans, their future (evil) selves, and various (present-day) DC bad guys being mind-controlled by Starros. The overall point of these scenes, though, is to play up the contrast between the “whatever it takes” Titans of Tomorrow and our more idealistic heroes. I liked it for the most part, although I have trouble getting into relatively new characters like Kid Devil, Ravager, and Miss Martian. (Kid Devil and Ravager I remember from their original incarnations, but there’s been a lot of water under both of those bridges.) I do like Jamal Igle, though, and he made this action-oriented issue flow nicely. He especially draws Blue Beetle well, with one funny panel towards the end conveying BB’s desperation perfectly — a very Steve Rude-like moment, in fact. I mean, I like McKeever’s work here too; don’t get me wrong. The issue could have been fairly tedious, but there is enough individuality in the voices to make each confrontation slightly different.

Green Lantern Corps #17 (written by Dave Gibbons, pencilled by Pascal Alixe, Angel Unzueta, Dustin Nguyen, and Patrick Gleason, inked by Vicente Cifuentes, Rodney Ramos, Rob Hunter, Marlo Alquiza, and Prentis Rollins) made me wonder how “Sinestro Corps War” will read in collected form. This issue shows the invasion of Earth from the GL Corps’ point of view, and weaves in and out of the last Green Lantern, the Super”man” Prime Special, this week’s Blue Beetle, and probably the Cyborg Supes Special too. Kilowog fights Arkillo in San Diego — where, yes, the Convention Center is trashed — and Sodam Yat takes on the Anti-Monitor. As with Teen Titans, lots of fightin’ and carnage. There aren’t a lot of clashing styles among the squadron of pencillers and inkers which put together this issue, so that’s good. It doesn’t feel like there was no plot advancement, although the big reveal at the end shouldn’t have been too surprising to anyone who’s been paying attention to the solicitations. Likewise, if all you read is this comic, then it does a good job of bringing you up to speed on the crossover. For the rest of us, though, it’s good to see the GL Corps win some battles, but it’s a little past time for things to start wrapping up.

Also marking time is the Tales of the Sinestro Corps: Superman-Prime Special. The main story is, of course, the cover feature, written by Geoff Johns and drawn by Pete Woods and Jerry Ordway. Since the star of our show is a teenager from “this” Earth, where superheroes are just fictional characters, it takes an appropriately metatextual tone. It therefore also goes back into Johns’ Infinite Crisis mindset, where he’s using a villain to criticize what could easily be argued is his own approach to some superhero stories. Accordingly, it’s never quite clear whether we’re supposed to feel sorry for the former Superboy-Prime, or just treat him as an emo whiner. Certainly the superheroes of DC-Earth prefer the latter, because they pound on him across the globe as he tries to reach an area of sunlight to recharge his batteries. Between this and Amazons Attack, Pete Woods is becoming the go-to artist for well-choreographed superhero dogpiles, and his work is similarly effective here. He might not be thought of as a detail-oriented artist like, say, George Perez, but he’s good at crowd scenes and closeups both. The second story, written by newcomer Sterling Gates with art by Ordway, is a backup featuring the Sinestros’ librarian/Crypt-Keeper, Lyssa Dark. It’s creepy and unsettling, but mostly because it focuses on a Sinestro which kidnaps babies and stows them in a skin-pouch on its back. As is the custom, you see. It’s the kind of thing you admire on a technical level but could stand not to read again for a while. It goes without saying that Jerry Ordway is always good; and Gates does well with what may be his rookie assignment.

JLA Classified #45 (written by Justin Gray, pencilled by Rick Leonardi, inked by Sean Phillips) was just confusing after a while. There are two big twists in the issue, one involving where the mental combat is taking place and the other identifying with whom, and both are identified rather subtly. Most of the story to date has been J’Onn fighting off “deviant memories” (for lack of a better phrase) of the JLA, so when the real JLA starts getting involved, it’s harder to tell. It’s a problem with the spare storytelling style generally, I think. If it’s meant to be disorienting, then it worked; but it’s still kind of frustrating.

I don’t have much to say about Countdown #27 (written by Paul Dini and Sean McKeever, breakdowns by Keith Giffen, pencilled by Carlos Magno, inked by Rodney Ramos). It didn’t really offend or dazzle me. It almost reminds me of the kind of comic Ninth Wonders (the comic-within-the-show on “Heroes”) must be like. I imagine someone in a larger story using an average issue of Countdown as a guide to the “real” story’s plot. (“Look, Hiro! Buddy Blank and Karate Kid are in Bludhaven! That means the sword has returned to Las Vegas!”) Or, you know, maybe I’ve got too much sugar in my system from that “one last” donut.

When the word came down that the next big Action Comics arc would be a Bizarro story, I cringed, fearing it would compare unfavorably to the excellent All-Star Superman Bizarro two-parter. However, “Escape from Bizarro World” (part 3 of which appears in Action Comics #857, written by Geoff Johns and Richard Donner, and drawn by Eric Powell) actually turns out to be pretty good. Powell’s art is a big part of it, naturally — it’s a combination of cartooning and menace which even reminds me of Charles Addams a little bit. Johns and Donner, who I feared would try to ground the Bizarros in reality, thankfully go the other way here, perhaps justifying their flights of fancy through the Bizarro-World setting. Overall, I liked it, and think it stands well on its own.

Back in the flagship title, “The Third Kryptonian” rolls on in Superman #669 (written by Kurt Busiek, pencilled by Rick Leonardi, inked by Dan Green). I liked this one too on first read, but I can see where some might recoil at its suggestion of a starfaring Kryptonian Empire, with its corollary that Superman was just one of many survivors of Krypton. I’m reserving judgment, though, until the end. Basically, this issue is an extended flashback recounting the history of the Third Kryptonian, and in technical terms, it’s put together as well as the previous one was.

The Flash #233 (written by Mark Waid, drawn by Freddie Williams II) is by now more infamous across the comics internets for its takedown of Batman’s parenting skills, but I thought it was a decent wrap-up to the invasion of the water-based aliens. Williams is a fine fit for the book, although his Wally is a bit beefy. Waid works in another “Look! Up in the sky!” joke (following last week’s Brave & Bold #7) which works better here. The backup is drawn very nicely by Doug Braithwaite, and Waid gets a writing assist from John Rogers, telling a nice little story about Jay Garrick helping the people of “Planet Flash” throw off the yoke of oppression.

Finally, here’s Peter David’s first issue as writer of She-Hulk (#22 pencilled by Shawn Moll and inked by Victor Olazaba), in which we are introduced to Jen as a bounty hunter. It’s a significant change from the Slott status quo, but it’s not an intolerable one, and it includes a couple of big questions and a cliffhanger. The art is good — big panels and clean lines — and somewhat reminiscent of Gary Frank. I’ll be back next month.

October 11, 2007

Thursday Night Thinking

Filed under: flash, meme, thursday night thinking — Tom Bondurant @ 10:35 pm
How fast was Barry Allen?

Well, 7,000 miles in about a minute works out to a pokey 116.667 miles per second, nowhere near the speed of light. Small wonder, then, that Flash has enough time for all that THINKING!

Fast enough for you, Diamondrock?

[From “Beyond the Super-Speed Barrier!”, DC Special Series Vol. 2 #11 (1978), a/k/a the Flash Spectacular. Written by Cary Bates, with this sequence pencilled by Irv Novick and inked by Joe Giella.]

Older Posts »

Blog at WordPress.com.